You can try this in any major key and there will always be this distinct pattern of space between the notes (Whole-Whole-Half-Whole-Whole-Whole-Half). H= Half step between notes (no black key) Major Scale Formula W= Whole step between notes (there is a black key between notes) Notice the spacing between each note of this scale for example, starting on C you can count 1, 2, and 3 notes until you hit the next note of the scale (don’t forget to count the black keys). So, this leads us to what amounts to a formula or at least a consistent pattern that is applicable to a major scale in any key. The distance between the other notes is a whole step because there is a larger distance between the notes because of the black key between them. Looking at the above keyboard, you may notice there is no black key situated between the E and the F notes, or the B and C notes. There are no sharps or flats in the C major scale, making it a great key to learn in.
Notice that the C major scale uses only the white keys of the keyboard (highlighted in green). The C major scale consists of seven notes and then it repeats again starting on C as indicated above. The C Major ScaleĪ piano keyboard is a good visual way of seeing the scale. So, taking a look at the construction of the major scale may be instructional for many of the non-theory conspirators out there. The major scale is the simplest and most fundamental place to start explaining some theory as many musical concepts actually use the major scale as a jumping off position in which other concepts can be based upon and constructed from. what to play with others to enhance the song.
Learning even a bit of music theory can open a few gates in your personal development as a musician. Why Theory?Ī lot of people who play a musical instrument freely admit there is always something to work on to improve the enjoyment of their musical expression. So it’s nice to start simple and build up to things a bit, just like in a good song. Many people have read a few “beginner” type music theory articles and perhaps found themselves a little alienated or even confused by some of the material.
Even though a person may play well and know their way around an instrument, theory may still be something left on the back burner.
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